Link do prezentacji: Wykład 5_Muzyczna retoryka figuratywna
He studied at universities in Poland, Switzerland and Germany. As a soloist and chamber musician, he won prizes in national and international competitions.
Historical performance is in the centre of his interests, with particular emphasis on violin music at the turn of the 17th and 18th centuries, chamber music of the second half of the 18th century and early Romanticism.
The international research and performance project is based on authentic historical premises dating back to the 17th and 18th centuries.
Wrocław Baroque Ensemble specialises in historically informed performance, with the main focus on exploration of lesser-known repertoire from central Europe.
Every year, some of the best musicians for historically informed performance practice from the finest early-music ensembles in Europe unite to the Dresden Festival Orchestra as the Dresden Music Festival's very own ensemble.
ANIMA ETERNA BRUGGE, founded by Jos Van Immerseel in 1987, is a period-instrument orchestra based in Bruges. The size of the ensemble varies from seven to eighty musicians, depending on the programme. Its repertory ranges from Monteverdi to Gershwin.
Founded in 2006 by Andrzej Kosendiak, it is a resident ensemble of the Witold Lutosławski National Forum of Music, one of few cultural institutions in Poland boasting its own Baroque orchestra playing historical instruments.